

Also, in this age of instant gratification, it's nice to surprised. Not only that, but you don't get any feedback from a screen on your camera, so if the shot is important, you better double check to make sure all your settings are right. Every frame can be assigned a physical cost, so you try a little harder to make each shot work. You think harder about what you're doing. So why would anyone want to give up resolution, image preview, and almost instantaneous uploading to your favorite social network site? It's true, shooting film can be a hassle, but in my opinion it's worth it. The photo below shows the latitude of black and white film, if shot with digital you would have to chose to have a completely black interior of the car or to have a completely white subject, with black and white film you can get detail in both. Which brings me to my last difference between the two mediums, the overall look.įilm looks different than digital, some say it's "smoother," some say it look less plastic, some say "richer." But these terms are very vague, and to really understand them, you just need to get out there and shoot. Most 35mm films cannot compete against most modern digital cameras in terms of resolution, but I will talking about medium format or 120 film which can hold up to some of the best digital cameras. Film also differs from digital in terms of resolution.

Film generally has a greater dynamic range than digital, especially black and white film. This can be defined in laymen terms as the detail in the highlights and shadows. The first difference is latitude, or dynamic range. I'm not here to tell you that one way is better than the other, but I do think it's important to know about some differences. You can look all over the internet and find hundreds of old timers and purists battling it out with the techies over whether film is better than digital. This tutorial was first published in September of 2009. Find our list below, and for more camera recommendations check out these nostalgia-inspired photography cameras, and the best film cameras for any budget.Every few weeks, we revisit some of our reader's favorite posts from throughout the history of the site. So whether you’re a dedicated collector, or simply want to pick up a new (well, technically old) camera, these Super 8 and 16mm cameras from Canon, Bauer, Braun, Bolex, and more brands will make the perfect addition to your collection. If you’re unable to make it to a local thrift store or antique camera shop to buy one in person, we put together a list of used cameras that you can buy online, which includes options from the ’60s and ‘70s, and a 16mm from the ’50s.Īll the cameras in our roundup have been tested by the sellers, reviewed by customers, and start at around $170 and up. To get started, you’ll want to narrow down what type of Super 8 camera works best for your film needs, and how much you’re willing to spend. Given how popular nostalgia has become, finding the right vintage camera can be a time-consuming task. Beyond that, these handheld cameras are mostly affordable, they look pretty cool, and whipping one of these babies out will surely turn a few heads. Super 8 cameras are a great collectors’ item, and a perfect gift for cinephiles or anyone who wants to add a vintage aesthetic to their film collection. If you purchase an independently reviewed product or service through a link on our website, Indiewire may receive an affiliate commission.
